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Mastercard just partnered with MrBeast — what co-brand deals mean for creators
A payments giant is building cards around a creator's audience. Here is how these deals work, who benefits, and what creators should actually watch.
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Media literacy: How to read a news story like an editor, in four checks
Editors read for named sources, attribution, corrections, and the line between reporting and argument. A practical guide to reading news the way a desk does.
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How the business newspaper broke the scoops that moved markets
From the Wall Street Journal's 1889 basement start to the Enron scoops: how financial desks read documents first and produced stories that changed markets and rules.
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How to read earnings reports without a finance degree
Revenue by source, operating profit, then guidance: the three-line read. The NYT's second-quarter 2026 numbers, 13.35 million subscribers and $9.94 ARPU, show each line at work.
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Media News Group and the chain newspaper business, explained
How a holding company running dozens of local titles actually works, and what the trade-offs look like from the newsroom side.
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Publishing a children's book — How to publish a children's book: agents, formats, and costs
Publishing a children's book usually means agent first, publisher second. The routes, the formats, the costs, and what Wonderbly's 8-million-book run proves.
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Media news: How local newsrooms decide what counts as news
Inside the editorial meeting, the news values behind it, and how one day's local front page gets made.
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Creators spotify — How streaming pays: what music creators earn on Spotify
Spotify's payout machine explained: streamshare, recording and publishing royalties, why no per-stream rate exists, and what the 2025 payout numbers show.
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Digital rights: What creators actually sign away when they post online
A plain-language guide to licensing, platform terms of service, and the digital rights writers and artists keep — or hand over — with every upload.
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Fall is manuscript-prep season: how to get a book published before the January agent rush
Agents read in waves. Writers who spend autumn on the query, the comps and the opening pages arrive in better shape than the ones who start in December.